More than a bridge builder

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Authors
Gong, Hong-Yu
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Degree
Grantor
Date
2015
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Type
Other
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
Body, Jack (1944-2015)
composers
Chinese music in New Zealand
Asian music in New Zealand
ethnomusicologists
Citation
Gong, H. (2015). More than a bridge builder. In Shennan, J., Whitehead, G., and Askew.S. (Eds.). Jack! Celebrating Jack Body, Composer., (pp.35-40). Wellington: Steele Roberts Aotearoa. ISBN 9781927242735 https://hdl.handle.net/10652/3054
Abstract
For around thirty years, from the early 1980s to the present day, Jack Body has been the single most powerful force in the introduction of China's multi-faceted musical culture to New Zealand. As far as I can now reconstruct the sequence, Jack came to 'discover' Chinese music through Chinese composers; he came to Chinese composers through a preoccupation with sounds. Jack's acquaintance with Chinese music started in the early 1980s, if not earlier, when, as a co-organiser of the Asia Pacific Festival and Composers' Conference, he invited Chinese composers from Taiwan (Hsu TsangĀ­ Houei), the United States of America (Chou Wenchung) and the People's Republic of China (Qu Wei and Ye Xiaogang) to Wellington. A most original composer, Jack'sapproach to Chinese music is intuitive rather than cerebral. He looked at China from three different perspectives: first, his fascination with Asian traditional music and the contemporary compositional scene, which led him to conduct extended fieldwork in China's south and north-west and to have frequent contact with Chinese composers of different generations and diaspora; second, his interest in ethnomusicology, which enabled him to accumulate the data that would engender creative outputs; and third, his love of documenting, which would add an archival dimension to his efforts.
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Steele Roberts Aotearoa
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Steele Roberts Aotearoa
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