Uso 4 Life
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Authors
Maʻiaʻi, Jimmy Kevin Sofe
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Degree
Master of Creative Practice
Grantor
Unitec Institute of Technology
Date
2022
Supervisors
Smith, Emma
Tan, Leon
Tan, Leon
Type
Masters Thesis
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
Auckland (N.Z.)
South Auckland (N.Z.)
New Zealand
installation art
cultural identity
autoethnobiographies
post-colonialism
Pasifika
Samoans in New Zealand
South Auckland (N.Z.)
New Zealand
installation art
cultural identity
autoethnobiographies
post-colonialism
Pasifika
Samoans in New Zealand
ANZSRC Field of Research Code (2020)
Citation
Maʻiaʻi, J. K. S. (2022). Uso 4 Life. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Creative Practice). Unitec Institute of Technology, New Zealand. https://hdl.handle.net/10652/5913
Abstract
Culture and identity among New Zealand’s Pacific diaspora are highly complex and multifaceted contemporary discussions. Through post-colonial theoretical standpoints and creative outputs, many Pacific artists have sought to explore and express these complex discussions in order to further understand themselves in a post-colonial setting. Having mixed-heritage ancestry can further this complexity, adding multiple contexts to an already multiplicitous discussion.
This exegesis contextualises the accompanying body of work, Uso 4 Life, an installation conceived from formative memories and experiences pertinent to the development of my identity as a mixed-heritage Sāmoan. Furthermore, I explore the ways in which installation practices can be used as a basis for such investigation.
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