Analysis and practice of organic forms in ceramic arts
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Authors
Qi, Yang Yang
Author ORCID Profiles (clickable)
Degree
Master of Creative Practice
Grantor
Unitec, Te Pūkenga – New Zealand Institute of Skills and Technology
Date
2023
Supervisors
Fahey, Richard
Tan, Leon
Tan, Leon
Type
Masters Thesis
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
ceramics
organic forms
nature
aesthetics
sculpture
organic forms
nature
aesthetics
sculpture
ANZSRC Field of Research Code (2020)
Citation
Qi, Y.Y. (2023). Analysis and practice of organic forms in ceramic arts (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Creative Practice). Unitec, Te Pūkenga - New Zealand Institute of Skills and Technology https://hdl.handle.net/10652/6064
Abstract
Throughout history, organic forms can be found in various social contexts such as community rituals. Gradually, with the development and maturation of modern science, organic forms started to be employed in a more conceptually informed manner. In the mid-20th century, with the development of contemporary art, ceramics re-emerged as a medium for artistic creation and captured people's attention once again. This material complements the organic forms derived from nature, establishing a harmonious connection.
In this research, organic form refers to refined and newly created artificial forms that combine morphological characteristics and colours derived from life forms in nature. From a visual standpoint, the vital force of an organism emanating is considered a significant organic characteristic that people strive to attain. This organic form, derived from life, possesses evident randomness, irregularity, and inherent sense of motion. The diversity of nature offers an infinite number of inspiring forms, providing an astonishing array of creative possibilities through the potential of limitless transformation. Symbolism and abstraction are commonly observed traits of expression in creative works that utilize organic forms. Artists conceptually extract form features, enabling them to find a foothold for emotion and thought and to make deliberate choices and combinations to clarify the purpose of their works. In my artistic work, the intensity of natural objects being extracted and transformed into organic forms gradually increases, transitioning from simple modifications and reassembling to abstraction and simplification. I conducted numerous experiments and creations, documenting my understanding of the chosen subject matter. Through the exhibition, I aimed to raise awareness of these relationships of transformation and to stimulate aesthetic contemplation. By showcasing the diverse and vibrant organic forms found in nature, I hoped viewers would have a deeper appreciation of the beauty of the natural world and a stronger sense of responsibility to protect it.
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