NZ Chinese/Chinese NZ : Auckland architecture's changing response
No Thumbnail Available
Supplementary material
Other Title
Authors
Francis, Kerry
Schnoor, Christoph
Schnoor, Christoph
Author ORCID Profiles (clickable)
Degree
Grantor
Date
2014-08-07
Supervisors
Type
Conference Contribution - Paper in Published Proceedings
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
Auckland (N.Z.)
Grey’s Avenue (Auckland, N.Z.)
Orient Towers (corner Wellesley and Lorne Street, Auckland, N.Z.)
Auckland Chinese Presbyterian Church (Vincent Street, Auckland, N.Z.)
Lantern Festival (Albert Park, Auckland, N.Z.)
Chinatown (Auckland, N.Z.)
history
New Zealand
Grey’s Avenue (Auckland, N.Z.)
Orient Towers (corner Wellesley and Lorne Street, Auckland, N.Z.)
Auckland Chinese Presbyterian Church (Vincent Street, Auckland, N.Z.)
Lantern Festival (Albert Park, Auckland, N.Z.)
Chinatown (Auckland, N.Z.)
history
New Zealand
ANZSRC Field of Research Code (2020)
Citation
Francis, K. S. (2014, August). NZ Chinese/Chinese NZ : Auckland architecture's changing response. In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 31, Translation, edited by Christoph Schnoor (Auckland, New Zealand: SAHANZ and Unitec ePress; and Gold Coast, Queensland: SAHANZ, 2014), (81-91), ISBN 9781927214121 ; 9780987605511
Abstract
Auckland city once had an area that was collectively known as Chinatown. It existed briefly at the foot of Grey’s Avenue for approximately sixty years from the turn of the century. In the period from 1959 its citizens were dispersed ; some up onto the Hobson Street ridge but most further afield into the Auckland suburbs. This paper briefly reviews that early occupation of Grey Street/Grey’s Avenue and then examines Orient Towers, built in 1988, as an overt example of Chinese architectural influence. Attention crosses back to the late 1950s, the last years of Chinatown, to examine the Auckland Chinese Presbyterian Church as the only remaining architectural evidence of that earlier Chinese presence. The flash-back technique is used to throw the muted oriental tones of the church into relief with the overtly optimistic Chinese-ness of the Orient Towers project. Finally the paper looks at the 2014 Lantern Festival in Albert Park and the way that this event confidently asserts its Chinese-ness through the medium of architecture
Publisher
Unitec ePress
Permanent link
DOI
Copyright holder
Unitec ePress
Copyright notice
All rights reserved