Dignity and performance-making with documentary material
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Other Title
Authors
Kewene, F.
Mullen, M.
Wood, Becca
Hazou, R.
Woodland, S.
Mullen, M.
Wood, Becca
Hazou, R.
Woodland, S.
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Date
2025-12
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Type
Conference Contribution - Oral Presentation
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
Aotearoa
New Zealand
performance art
Māori
oral history
dignity
cultural property
welfare state
New Zealand
performance art
Māori
oral history
dignity
cultural property
welfare state
Citation
Kewene, F., Mullen, M., Wood, B., Hazou, R., & Woodland, S. (2025, December, 1-5). Dignity and performance-making with documentary material [Paper presentation]. Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference 2025, Wellington, New Zealand.
https://hdl.handle.net/10652/7176
Abstract
FRAN KEWENE (WAIKATO, NGATI MANIAPOTO, BRITISH)
Kōrero Pono I-PAP Indigenous Principles of Applied Practice ; I-PAP In Action
Pātai: When testimonies offered in life become the voices of the deceased, what relational, ethical and tikanga-guided actions must shape our performance making to uphold their mana and tapu?
MOLLY MULLEN & BECCA WOOD
DIGNITY
The Public Stand
Avondale Racecourse
The Public Stand
Avondale Racecourse
October 2025
Introduction: The dignity of place
THE PUBLIC STAND:2
Choreauratics: Assembling bodies
Dignity of place: Listening to the Racecourse
RAND HAZOU. MASSEY UNIVERSITY
Whakamana: Enhancing Dignity in Un-Welfare State (2023)
UN-WELFARE STATE
A Verbatim Theatre Production exploring experiences of the Welfare System in Aotearoa.
The Dignity of Risk (DofR)
Some Ways to Think about Dignity in Unwelfare-State
Link to ‘Let Me Speak’ Video JOHN HUGHES
https://www.youtube.com/watch?v=5fRnALYBoPY
SARAH WOODLAND
Let Me Speak, Listen to My Story, No More Silence: Engaging criminalised women in creative practice pathways.
The Dignity the Arts Research Network (DARN)
How can performative expressions of dignity through testimony challenge or transform audience perceptions of women who have been criminalised, without tipping over into ‘trauma porn’ or an ‘aesthetics of injury’?
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