Máscaras teatrais e a cultura Māori: Experimentos sincréticos no Pacífico Sul [=Theatrical masks and Māori culture: Syncretic experiments in the South Pacific]
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Authors
Ilgenfritz, Pedro
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Date
2022-08-31
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Conference Contribution - Oral Presentation
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
Aotearoa
New Zealand
máscaras teatrais
cultura Māori
theatrical masks
masks
Māori in theatre
representation
facial tattoos
cultural appropriation
New Zealand
máscaras teatrais
cultura Māori
theatrical masks
masks
Māori in theatre
representation
facial tattoos
cultural appropriation
ANZSRC Field of Research Code (2020)
Citation
Ilgenfritz, P. (2022, August, 31 - September, 3).Máscaras teatrais e a cultura Māori: Experimentos sincréticos no Pacífico Sul [=Theatrical masks and Māori culture: Syncretic experiments in the South Pacific] [Paper presentation]. 4° Encontro Poéticas do Inanimado: Campos Expandidos, Curitiba, Brazil
Abstract
Esta apresentação é uma breve reflexão sobre alguns experimentos sincréticos entre máscaras teatrais e a cultura Indígena da Aotearoa Nova Zelândia
A Máscara e mascaramento aparece na cultura Indígena da Aotearoa Nova Zelândia de duas formas:
[1] A primeira está na maneira como a genealogia é expressada através de tatuagem, e em alguns casos
devido a posição social, a genealogia dos indivíduos é impressa no rosto
[2] Esta tatuagem facial e chamada de ‘Ta Moko’.
Children of the Mist (1960) Leigh Brewer, Wellington Ballet Company
Earth and Sky (1968) Jenny McLeod
Green Are the Islands (1970)
New Zealand Noh Theatre Company (1990s) John Davies [with Unitec matua Hare Williams as consultant]
SolOTHELLO (2016) Regan Taylor, Te Rehia Theatre Company
Leilani (2016) Pedro Ilgenfritz, Mahuika Theatre Company
[This presentation is a brief reflection on some syncretic experiments between theatrical masks and culture Indigenous to Aotearoa New Zealand]
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