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dc.contributor.authorCroul, Marcel
dc.date.accessioned2023-05-23T00:40:11Z
dc.date.available2023-05-23T00:40:11Z
dc.date.issued2022
dc.identifier.urihttps://hdl.handle.net/10652/5969
dc.description.abstractAn intention underpinning this project was to find a way to support the restoration of mātauranga Māori by bringing mātauranga Māori and my Māori self with me to my filmmaking practice. My chosen methodology for this project is therefore kaupapa Māori as the research approach that best enables the centering of mātauranga Māori, te reo Māori and Māori worldviews. Kaupapa Māori is centred in Māori reality and upholds the mana and integrity of the participants, where the concerns and needs of Māori are the focus (Jones, B., Ingham, T., Davies, C., & Cram, F., 2010), and will be elaborated on further in the methodology section. I’ve devised a theory of filmmaking practice which abides by a number of principles related to kaupapa Māori, such as kaitiakitanga, whanaungatanga, and manaakitanga. Specifically, this practice sits within the context of hip hop and rap music video making. Furthermore, by situating the practice within Aotearoa, I draw upon the history of this land - and reflect that in my filmmaking philosophy. Kaupapa Māori, at its essence is a way of being in the world that brings with it language, tikanga, ways of being and doing that centre Māori philosophy and work for positive transforming change for Māori. When applied as a research methodology to filmmaking, a practice which involves other participants, this filmmaking philosophy must necessarily reflect kaupapa Māori in the ways that those participants are integrated into the process. I’ve chosen to approach this by questioning the conventional methods of independent music video making, and foregrounding kaupapa Māori principles in the filmmaking practice. Through a reflective process, I have deepened my understanding of how kaupapa Māori principles have been able to further my practice as a Māori artist by integrating methods such as karakia and kanohi kitea into the filmmaking process. I shed some insight as to where these methods have led me in my practice and could possibly lead further; as I and others continue to pursue a more Indigenous future.en_NZ
dc.language.isoenen_NZ
dc.rightsAll rights reserveden_NZ
dc.subjectAotearoaen_NZ
dc.subjectNew Zealanden_NZ
dc.subjectmusic video productionen_NZ
dc.subjecthip hop and rap musicen_NZ
dc.subjectfilmmakingen_NZ
dc.subjectMāori values and protocolsen_NZ
dc.titleKaupapa Māori music video production: How can bringing kaupapa Māori to music video production in Aotearoa guide creative processes and outcomes?en_NZ
dc.typeMasters Thesisen_NZ
dc.rights.holderAuthoren_NZ
thesis.degree.nameMaster of Creative Practiceen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden450715 Te puoro me ngā mahi a te rēhia o te Māori (Māori music and performing arts)en_NZ
dc.subject.marsden450714 Ngā arapāho, ngā kiriata, te hākoritanga me te hopu whakaahua o te Māori (Māori media, film, animation and photography)en_NZ
dc.subject.marsden450717 Ngā Kaupapa Māori (Māori projects)en_NZ
dc.identifier.bibliographicCitationCroul, M. (2022). Kaupapa Māori music video production: How can bringing kaupapa Māori to music video production in Aotearoa guide creative processes and outcomes? (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Creative Practice). Unitec Institute of Technology, New Zealand https://hdl.handle.net/10652/5969en_NZ
unitec.pages25en_NZ
dc.contributor.affiliationUnitec Institute of Technologyen_NZ
dc.subject.tukutukuPūoro ataatami_NZ
dc.subject.tukutukuKaupapa rangahaumi_NZ
unitec.publication.placeNew Zealanden_NZ
unitec.advisor.principalWood, Becca
unitec.advisor.associatedSmith, Hinekura
unitec.advisor.associatedWagner, Daniel


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