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    Landscape, isolation, and belonging in performance: The art of directing in Aotearoa/New Zealand

    Byrnes, Vanessa

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    Byrnes, V.K. (2021).pdf (1.152Mb)
    Date
    2021-06
    Citation:
    Byrnes, V.K. (2021, June). Landscape, Isolation, and Belonging in Performance: The Art of Directing in Aotearoa/ New Zealand. Paper presented at the Sixteenth International Conference on the Arts in Society, University of Western Australia, Perth.
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/5406
    Abstract
    Key features of the domain; landscape and identity SETTINGS • Isolation • Social mobility and access; ‘one degree of separation’ • Co-operative effort • Belonging • Detail/ big picture dichotomy • Genuine exploration for newness • Risk • Proximity to audience ELEMENTS • Interpretive Confidence • Melding of techniques; ‘Magpie-ism’ • the nomadic tendency of artists • reterritorialization of the self • the unique ‘line of flight’ of the artist - Gilles Deleuze and Felix Guattari: A Thousand Plateaus • Non-theatrical material and its influence
    Keywords:
    Aotearoa, New Zealand, dramaturgy
    ANZSRC Field of Research:
    190404 Drama, Theatre and Performance Studies
    Copyright Holder:
    Author

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    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use. These documents or images may be used for research or private study purposes. Whether they can be used for any other purpose depends upon the Copyright Notice above. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
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    • Performing and Screen Arts Conference Papers [17]

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