• Login
    View Item 
    •   Research Bank Home
    • Unitec Institute of Technology
    • Creative Practice
    • Creative Practice Dissertations and Theses
    • View Item
    •   Research Bank Home
    • Unitec Institute of Technology
    • Creative Practice
    • Creative Practice Dissertations and Theses
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Urbanize

    Walsh, Tira

    Thumbnail
    Share
    View fulltext online
    MCP2018 Tira Whakaari 1389798 Final Research.pdf (21.88Mb)
    Date
    2018
    Citation:
    Walsh, T. (2018). Urbanize. Unpublished exegesis in support of the degree of Master of Creative Practice, Unitec Institute of Technology, Auckland, New Zealand.
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/4541
    Abstract
    Painter Tira Walsh remembers the introduction to technology in the school’s curriculum in the late 90’s. The intrigue in this manipulative tool for creating hybrid images combined with an engagement in a discussion of contemporary abstract painting, designates the practical arena in which this research project takes place. This current generation responds to screens, lives are dominated by what we view on mobile phones and laptops. Any device is a necessity. Digital media manipulates and restricts what we see. What is perceived to be normal and right, can be conflicting, manipulative and motivated by greed. Human dignity is distorted and blinded by images of conformity. One ponders on what the future holds for the next generations. The paintings are descriptions of corruption and manipulation; associations that generate visuals of displacement. The creative process consists in exchanges of contradictory ideas. The work retains the ambiguity of a screen but also synthesizes these strands into complex paintings that operate as representations of a digital and physical urban-scape.
    Keywords:
    painting, abstract art, zombie formalism, drawing practice, Blade runner (Motion picture)
    ANZSRC Field of Research:
    190502 Fine Arts (incl. Sculpture and Painting)
    Degree:
    Master of Creative Practice (Fine Arts), Unitec Institute of Technology
    Supervisors:
    Fahey, Richard; Smith, Emma
    Copyright Holder:
    Author

    Copyright Notice:
    All rights reserved
    Rights:
    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use. These documents or images may be used for research or private study purposes. Whether they can be used for any other purpose depends upon the Copyright Notice above. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
    Metadata
    Show detailed record
    This item appears in
    • Creative Practice Dissertations and Theses [21]

    Te Pūkenga

    Research Bank is part of Te Pūkenga - New Zealand Institute of Skills and Technology

    • About Te Pūkenga
    • Privacy Notice

    Copyright ©2022 Te Pūkenga

    Usage

    Downloads, last 12 months
    30
     
     

    Usage Statistics

    For this itemFor the Research Bank

    Share

    About

    About Research BankContact us

    Help for authors  

    How to add research

    Register for updates  

    LoginRegister

    Browse Research Bank  

    EverywhereInstitutionsStudy AreaAuthorDateSubjectTitleType of researchSupervisorCollaboratorThis CollectionStudy AreaAuthorDateSubjectTitleType of researchSupervisorCollaborator

    Te Pūkenga

    Research Bank is part of Te Pūkenga - New Zealand Institute of Skills and Technology

    • About Te Pūkenga
    • Privacy Notice

    Copyright ©2022 Te Pūkenga