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dc.contributor.authorTiongson, Gabriel
dc.date.accessioned2019-02-18T22:41:54Z
dc.date.available2019-02-18T22:41:54Z
dc.date.issued2018
dc.identifier.urihttps://hdl.handle.net/10652/4540
dc.description.abstractI have always been attracted to the asymmetrical, the uncanny, the mutated, the deviation, and the odd. These preoccupations were made manifest through my drawing practice. Friends, family, and acquaintances would often describe my doodles as dark, disgusting, abhorrent, and grotesque. Little did I know then, what rich history I was setting my foot on by reveling in these comments. What began as a heavily illustrative graphic art practice has been profoundly altered by this period of focused practical research. This document charts the process of making and thinking about these discordant forms, and the confusion, evolution and self-revelation that has been integral to the process.en_NZ
dc.language.isoenen_NZ
dc.rightsAll rights reserveden_NZ
dc.subjectdrawing practiceen_NZ
dc.subjectpop culture imageryen_NZ
dc.subjectPhilippinesen_NZ
dc.subjectAmerican colonialismen_NZ
dc.subjectgrotesqueen_NZ
dc.subjectjamming (Painting)en_NZ
dc.subjectpaintingen_NZ
dc.subjectcaricatureen_NZ
dc.titleErysichthonen_NZ
dc.typeMasters Thesisen_NZ
dc.rights.holderAuthoren_NZ
thesis.degree.nameMaster of Creative Practiceen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.disciplineVisual Arts
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden1905 Visual Arts and Craftsen_NZ
dc.identifier.bibliographicCitationTiongson, G. (2018). Erysichthon. An unpublished thesis submitted in partial fulfillment for the requirements of Master of Creative Practice, Unitec Institute of Technology, Auckland, New Zealand.en_NZ
unitec.pages64en_NZ
dc.contributor.affiliationUnitec Institute of Technologyen_NZ
unitec.advisor.principalSmith, Emma
unitec.advisor.associatedFahey, Richard
unitec.institution.studyareaCreative Practiceen_NZ


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