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    Wang Guangqi 王光祈: the man who introduced the Berlin School of Comparative Musicology to China

    Gong, Hong-Yu

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    Wang_Guangqi_the_man_who_introduced_the_Berlin_School_of_Comparative_Musicology_to_China.pdf (393.0Kb)
    Date
    2017-03
    Citation:
    Gong, Hong-yu. (2017, March). Wang Guangqi 王光祈: the man who introduced the Berlin School of Comparative Musicology to China. Paper presented at A Roundtable Discussion Paper delivered at The 20th Congress of the International Musicological Society, 19-23, Tokyo 2017 (IMS 2017 in Tokyo), Tokyo, Japan.
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/4213
    Abstract
    Wang Guangqi 王光祈 (1892-1936) was a man of many achievements. A student of international law, he had already achived national prominence as an influential social activist, a charismatic youth leader, an acute journalist, and an accomplished poet of the classical style beforing leaving China for Germany. During his years in Germany, Wang, whose patriotism and industry saw him cram several demanding careers into his busy and often impoverished life, ranged in activity from being a correspondent for leading Beijing and Shanghai newspapers to translating historical and diplomatic documents. But above all else, he was known as a musicologist who was responsible for introducing, among other things, the theories and methods of the Berlin School of Comparative Musicology to China.
    Keywords:
    Wang, Guangqi (1892-1936), 王光祈, China, Berlin School of Comparative Musicology
    ANZSRC Field of Research:
    190409 Musicology and Ethnomusicology
    Copyright Holder:
    Author

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    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use. These documents or images may be used for research or private study purposes. Whether they can be used for any other purpose depends upon the Copyright Notice above. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
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    • Performing and Screen Arts Conference Papers [17]

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