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    Mixing methods : creative collaboration in mobile moviemaking

    Wagner, Daniel

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    Date
    2017
    Citation:
    Wagner, Daniel. (2017). Mixing Methods: Creative Collaboration in Mobile Moviemaking. International Journal of Innovation, Creativity and Change, 3 (2), pp.84-96.
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/4115
    Abstract
    This article is a reflection on creative collaboration and synergy, using a tertiary course in mobile moviemaking to explore ways in which collaborative projects involving people from different creative disciplines can generate creative outcomes that surpass – in both innovative value and aesthetic depth – creative outcomes that might be generated by the individual disciplines on their own. The article will reflect on the processes and outcomes of a collaborative class project within this course, with specific reference to the differences in ideation and making methods used by creators in different disciplines and media. By unpacking the differences between their two creative fields, participants from two different disciplines (Film and Contemporary dance) were able to define common ground through which to conduct a creative collaboration. This paper will contextualise their process, and will suggest a method by which future participants in interdisciplinary creative collaborations may reframe their perceptions of their own diverging disciplinary approaches in order to utilise these differences as strong points upon which to build and solidify their mutual efforts.
    Keywords:
    interdisciplinary creative collaborations, New Zealand, Entertainment Lab for the Very Small Screen (ELVSS), Unitec courses, collaborative practice, mobile movies, dance students, film students, smartphones
    ANZSRC Field of Research:
    130201 Creative Arts, Media and Communication Curriculum and Pedagogy

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    http://www.ijicc.net/images/Vol_3_iss_2_nov_2017/wagner%202017.pdf
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    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use. These documents or images may be used for research or private study purposes. Whether they can be used for any other purpose depends upon the Copyright Notice above. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
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    • Performing and Screen Arts Journal Articles [43]

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