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dc.contributor.authorMorgan, Rachael
dc.date.accessioned2015-09-24T21:06:26Z
dc.date.available2015-09-24T21:06:26Z
dc.date.issued2014
dc.identifier.urihttps://hdl.handle.net/10652/3031
dc.description.abstractThis presentation discusses my recent compositional interests through analysis of Interiors (2012) for string quartet and the influence of Giacinto Scelsi’s sonorist aesthetic. The central focus of Interiors is to create a single sonic entity that undergoes gradual timbral evolution. Pitch material is limited and the work is devoid of melody, pulse, and harmonic progression in order to draw the ear to minute changes in timbre. This presentation will also address the use of the Fibonacci series as a temporal guide and the advantages and difficulties of time-space notation on performance.en_NZ
dc.language.isoenen_NZ
dc.publisherThe Authoren_NZ
dc.subjecttimbreen_NZ
dc.subjectFibonacci seriesen_NZ
dc.subjecttime-space notation (music)en_NZ
dc.subjectcompositionen_NZ
dc.subjectScelsi, Giacinto, (1905-1988)en_NZ
dc.subjectInteriors for string quartet (2012)en_NZ
dc.titleAn analysis of Interiors for string quartet and the influence of Scelsi's sonorist aesthetic.en_NZ
dc.typeConference Contribution - Oral Presentationen_NZ
dc.rights.holderThe Authoren_NZ
dc.subject.marsden190406 Music Compositionen_NZ
dc.identifier.bibliographicCitationMorgan, R. (2014). An analysis of Interiors for string quartet and the influence of Scelsi's sonorist aesthetic. Paper presented at CANZ Composers Conference, Auckland.en_NZ
unitec.institutionUnitec Institute of Technologyen_NZ
unitec.conference.titleCANZ Composers Conference (2014)en_NZ
unitec.conference.orgComposers Association of New Zealand (CANZ)en_NZ
unitec.conference.locationAucklanden_NZ
unitec.conference.sdate2014-04-12
unitec.conference.edate2014-04-13
unitec.peerreviewedyesen_NZ
unitec.identifier.roms56616en_NZ
unitec.institution.studyareaPerforming and Screen Arts


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