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dc.contributor.authorCroucher, Rosanne
dc.date.accessioned2013-12-20T00:46:10Z
dc.date.available2013-12-20T00:46:10Z
dc.date.issued2013en_NZ
dc.identifier.urihttps://hdl.handle.net/10652/2347
dc.description.abstractThis research project investigates how the practice of joining familiar and disparate imagery together can create new contexts of meaning and effect in a contemporary painting practice. In the era of Modernism, artists sought to reconfigure established art conventions, birthing many artistic discoveries through the emergence of different avant-garde movements. The artworks produced were radically new for their time, challenging modes of representation, methods of making art and the very constitution of art itself. The Surrealists discovered the potential of combining the unfamiliar in creating new realities. They harnessed the creative potential of the sub conscious mind through employing methods that relied on the roles of chance, intuition and surprise in the art-making process. My research explores the visual interaction of disparate elements within a methodology that utilises both chance and reason in the creative process. The nature of combination can yield infinite possibilities, and therefore combining imagery for the purpose of seeking out original meanings, effects and aesthetic properties required a continuous interrogation of the image to take place. Negotiating a balance between strangeness and familiarity in imagery led me to draw on aesthetic theories based on beauty, repulsion and the strange. Defining preferences for formal painting qualities arose through applying this theoretical knowledge in conjunction with the practical knowledge gained through the experience and materiality of painting. The integration of planning, chance, playfulness and problem solving in the making process broadened my understanding of how art can be made effectively. With a synthesis of formal and conceptual qualities, my work became more effective and engaging. This has led to a greater understanding of practice related research.en_NZ
dc.language.isoenen_NZ
dc.subjectmodernist paintingen_NZ
dc.subjectSurrealismen_NZ
dc.subjectcreative process in arten_NZ
dc.subjectimagery in arten_NZ
dc.titleStrange connections : an investigation into the combining of recognisable and disparate imagery in a contemporary painting practiceen_NZ
dc.typeMasters Thesisen_NZ
thesis.degree.nameMaster of Designen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden190103 Art Theoryen_NZ
dc.identifier.bibliographicCitationCroucher, R. (2013). Strange connections : an investigation into the combining of recognisable and disparate imagery in a contemporary painting practice. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Design). Unitec Institute of Technology. Retrieved from https://hdl.handle.net/10652/2347en
unitec.pages70en_NZ
dc.contributor.affiliationUnitec Institute of Technologyen_NZ
unitec.advisor.principalHooper, Julian
unitec.advisor.associatedMacKinnon, Toni
unitec.advisor.associatedHenzell, Jane
unitec.institution.studyareaDesign and Visual Arts


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