The nuances of human stories and the language of paint
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Authors
Stewart, Jean
Author ORCID Profiles (clickable)
Degree
Master of Design
Grantor
Unitec Institute of Technology
Date
2012
Supervisors
Fahey, Richard
Grieve, Fiona
Grieve, Fiona
Type
Masters Thesis
Ngā Upoko Tukutuku (Māori subject headings)
Keyword
narrative in painting
Jean Stewart
theories of the everyday
still life
painting methodology
Jean Stewart
theories of the everyday
still life
painting methodology
ANZSRC Field of Research Code (2020)
Citation
Stewart, J. (2012). The nuances of human stories and the language of paint. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Design). Unitec Institute of Technology. Retrieved from https://hdl.handle.net/10652/2340
Abstract
Embedded within both the process and the finished works is the notion of the everyday. These paintings are painted in the garage and constructed from things left over from everyday life or within reach of the subject matter, i.e. available to someone experiencing the early stages of motherhood. The effect is that the paintings begin to operate as an extension to daily life rather then being separate from it. To imply meaning within these basic assemblages is to apply meaning to daily life.
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