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dc.contributor.authorMalone, Peter David
dc.date.accessioned2013-04-04T02:52:39Z
dc.date.available2013-04-04T02:52:39Z
dc.date.issued2011en_NZ
dc.identifier.urihttps://hdl.handle.net/10652/2092
dc.description.abstractThis research aims to investigate how pictorial conventions used in a previous generation of expressionist painting (1980’s post avant-garde) can be reconstituted and appropriated to develop a contemporary painting practice. The research also examines if a methodology can be derived from this investigation through painting methods that will enable new means by which narrative implications can be understood in the reading of painted imageryen_NZ
dc.language.isoenen_NZ
dc.rightsAll rights reserveden_NZ
dc.subjectpost 1980s avant-garde expressionismen_NZ
dc.subjectcontemporary New Zealand paintingen_NZ
dc.title[Liberation by desecration]en_NZ
dc.title.alternativeWorking title : post neo-expressionist values and the modern aesthetic experience in paintingen_NZ
dc.title.alternativeHow conventions associated with post avant-garde expressionism can be reconfigured and appropriately adapted to inform a contemporary painting practice; and develop and/or enhance an aesthetic experience for practitioners in Fine Artsen_NZ
dc.typeMasters Thesisen_NZ
dc.rights.holderAuthoren_NZ
thesis.degree.nameMaster of Designen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden120307 Visual Communication Design (incl. Graphic Design)en_NZ
dc.identifier.bibliographicCitationMalone, P. D. (2011). [Liberation by desecration]. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Design). Unitec Institute of Technology. Retrieved from https://hdl.handle.net/10652/2092en
unitec.pages87en_NZ
dc.contributor.affiliationUnitec Institute of Technologyen_NZ
unitec.advisor.principalFahey, Richard
unitec.institution.studyareaDesign and Visual Arts


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