Browsing Performing and Screen Arts Journal Articles by Subject "190409 Musicology and Ethnomusicology"
Now showing items 1-20 of 25
-
Embracing Western music via Japan : Chinese intellectuals, Japan, and the beginnings of modern music education in China
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2018)The last decade of the Qing dynasty (1902-1912) saw the emergence of the first generation of Chinese champions of Western music.1 In Japan at the turn of the twentieth century a small number of Chinese students became ... -
Evocations of the other : treatments of the exotic and the feminine in nineteenth-century music - The redemption of Sheherazade
(Unitec ePress, 2017-12-21)The concert hall, as much as the operatic stage, is a theatre – a place for viewing, and the observation of narratives. Music can be and often is read as the latter, whether overtly programmatic or not, and though abstracted ... -
Hymnals and hymnody in Late Qing and Early Republican China
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2016)"That Christian hymn-singing played an important role in the daily life of many China missionaries and therefore was instrumental in the transmission of Western music in China is here plain to see. Speaking of "all the ... -
Louis Laloy and His La Musique Chinoise
(Zhongyang Yinyue Xueyuan,Central Conservatory of Music, 2013)French musicologist Louis Laloy, author of the first biography of Debussy and his study of Chinese music. -
Missionaries and Chinese Gongche Notation
(Sichuan Yinyue Xueyuan,Sichuan Conservatory of Music, 2013)Gongche is the traditional and ancient form of musical notation in China. -
Missionaries and the beginnings of Western music in China : the Catholic prelude, 1294-1799
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2018)"Next to the Word of God, only music deserves being extolled as the mistress and governess of the feelings of the human heart" — Martin Luther (1538) The history of modern China is closely intertwined with the global ... -
Orchestrating film : the contrasting orchestral-compositional approaches of Bernard Herrmann and John Williams and their modern legacy
(Unitec ePress, 2017-12-21)Music is one of the most powerful forces in film, and composers’ varied use of orchestration and sound is fundamental to the impact of music in this medium. From the live accompaniments of the earliest silent film, to the ... -
Protestant Missionaries and Chinese Music: The Case of George T. Lay (1800-1845)
(Chinese Music Society of North America, 2013)George Tradescant Lay was a British naturalist, mssionary and diplomat. -
Qi erpin yanjiu zai haiwai (Alexander Tcherepnin and his world - a bibliographical perspective，齐尔品研究在海外——兼及国内有关研究)
(Art of Music - Journal of the Shanghai Conservatory of Music, 2019-01)民国期间游弋东亚的外国音乐家中,声名显赫的不少,但恐怕没有任何一个人会像1934年4月首次踏足华土的俄国流亡作曲家、钢琴演奏家、音乐教育家、音乐评论家亚历山大·齐尔品(Alexander Nikolaevich Tcherepnin, 1899～1977)那样,在中日近代音乐教育和创作史上青史留名。有当代音乐家甚至用“有恩于我们民族”这样感情横溢的标题来感谢齐尔品对中国音乐的贡献。①作曲家周文中更是将齐尔品当成“自家人”,说其“是一个中 ... -
Timothy and Mary Richard, Chinese music, and the adaptation of tonic sol-fa method in Qing China
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2017)Several scholars have discussed the ways in which Christian missionaries appropriated native musical traditions all over the world in order to propagate the Christian doctrines. This is just as true of the situation in ... -
The unlikely cultural ambassadors : Chinese Goldminers and music making on the Otago Goldfields
(Xinghai Conservatory of Music, 2013) -
Yang Yinliu yu qi zhong wai shiyou 杨荫浏与其中外师友 (Yang Yinliu and his circle of Chinese and foreign teachers and friends)
(云南艺术学院学报（Yunan Arts Institute), 2017)学界谈到杨荫浏的求学历程时,一般都会提到颖泉、阿炳、阚献之、朱勤甫、邬峻峰、王云坡、吴畹卿、郝路义、刘廷芳、范天祥、杨宪益等对杨荫浏中西文化知识、音乐技能及修养的影响。但杨荫浏与其中外师友的影响并非只是单向的,而是相互的。本文即以杨荫浏与郝路义、爱希罕姆、费佩德、葛星丽、杨宪益之间的互动为例,来凸显其与中外师友之间的相互影响。 When the academic circles talked about Yang Yin-li's ... -
中西音乐交流研究中的误读、 疏漏与夸大 ——以民歌《茉莉花》在海外的研究为例
(Renmin Yinyue Chubanshe, People's Music Publishing House, 2013)Molihua, musicology, East-West interactions -
从广东淘金客到谭盾 —中华传统音乐文化在新西兰的传播 (1865-2013) = From Cantonese goldminers to Tan Dun the transmission of Chinese musical culture in New Zealand (1865-2013)
(China Electronic Journal Publishing House, 2014)文章旨在回顾中国音乐在新西兰近一百五十年的传播历程,其聚焦点主要有三: 一是叙述中华民 族音乐文化在新西兰传播的过程、传承者及其所传播的具体内容; 二是凸显不同时期中国音乐文化在新西兰流 传的区域、语境、渠道及特点; 三是概述新时期新西兰社会对多元文化的诉求及中国音乐在新西兰的现状。 The musical encounters between China and New Zealand from the latter part ... -
“他者审视”:明末至民国 来华西人眼中的中国音乐
(China Electronic Journal Publishing House, 2014-07-04)近年来,随着学界关于“中国音乐研 究要走向世界”、“中国音乐研究要与国际 接轨”、“中国学界应与国际学界争夺话语 权”讨论的不断深入,国内音乐学界与文 学、历史、社会等学界一样,对域外学者 的著述多有译介。事实上,现代意义上的 中国音乐史研究,从一开始便是一个具有 国际面向的学科。以最早采用现代学术方 法研究中国音乐史的王光祈为例,20 世纪 30 年代初,王光祈在德国柏林撰写“中国 古代音乐史学科完成现代学术转型的第一 ... -
古伯察《鞑靼西藏旅行记》中 有关蒙古音乐之描述 = Mongolian rituals and music in the eyes of Evariste Régis Huc
(2018)法国遣使会士古伯察是“五口通商”后最早进入我国蒙古、西 藏地区的西方人之一。 其著述《鞑靼西藏旅行记》中对当时清朝热河、蒙 古诸旗、鄂尔多斯、宁夏、甘肃、青海、西康地区的宗教信仰、历史文化、 民风习俗、自然状况等记述在海外影响甚广。 以古伯察 1850 年首版的 《鞑靼西藏旅行记》为聚焦点，检索古伯察对蒙古地区诸旗仪式及世俗 音乐活动的描述。 这些描述虽然不是民族音乐学意义上的有关蒙古音 乐活动的专门研究， 但却提供了一个从世界看近代蒙古及其音乐文化 ... -
晚清海关洋员与国际博览会上的中国音乐 ———以 1884 年伦敦国际卫生博览会为例 = Exhibiting China: The Chinese Maritime Customs and the Representation of Chinese Music at the 1884 London International Health Exhibition
(Zhongyang Yinyue Xueyuan,Central Conservatory of Music, 2015)1884 年伦敦国际卫生博览会期间,中国展厅内展有四十多种中国乐器。赴会 的六名中国乐人除了每天定时在展区内的中国茶室和餐厅奏乐外,还应邀为英国皇亲国戚 的社交活动助兴。是谁决定将中国音乐作为博览会的主题之一? 是谁将中国民间乐人推向 了国际舞台? 这些乐人演奏了什么乐曲? 伦敦报界又是如何报道中国乐人的表演呢? 本文 拟通过对中国旧海关出版物中晚清参加世博会之展品目录、晚清海关洋员间的相关函电以 及伦敦当时的新闻报道的解读,来回答这些 ... -
法国汉学家库朗与 20 世纪初域外中国音乐研究 (上) = Maurice Courant and the Study of Chinese Music in Early 20th Century France - The Case of Essai historique sur la musique classique des Chinois. Part 1.
(China Electronic Journal Publishing House, 2015) -
波恩东亚研究院所藏王光祈留德资料 及其研究价值 = Boen Dongya yanjiuyuan suo cang Wang Guangqi liu De ziliao jiqi yanjiu jiazhi (Archival Resources of Wang Guangqi at Ostasien-Institut, Bonn)
(2020-03)早在 1968 年， 德国华欧学社（Arbeitsgemeinschaft China-Europa）社长欧乐思（Alois Osterwalder）就已注意到 王光祈在中德文化交流上所做出的贡献，并委托其成员斯 特曼（Klaus Stermann）收集有关王氏在柏林、波恩时期的生 活、学习、工作及交友的相关资料。 近期这些资料由旅德汉满 学家、 波恩东亚研究院现任院长黄淑娟博士 （Shu-Jyuan Deiwiks）将斯特曼的卡片资料 ...
