Browsing Performing and Screen Arts by Title
Now showing items 22-41 of 71
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Landscape, isolation, and belonging in performance: The art of directing in Aotearoa/New Zealand
(2021-06)Key features of the domain; landscape and identity SETTINGS • Isolation • Social mobility and access; ‘one degree of separation’ • Co-operative effort • Belonging • Detail/ big picture dichotomy • Genuine exploration ... -
(Li Timotai furen yu Zhongguo yinyue) 李提摩太夫人与中国音乐 [= Mrs Timothy Richard's study of Chinese Music]
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2021)1876年来华、1903年在沪病逝的李提摩太夫人是中国现代音乐教育史和中西 音乐交流史上一位重要的人物,她的名字,对于任何一位从事中国音乐研究的人来说都不 会陌生。因为在20世 纪 上 半 叶 以 前,她是有关中国音乐主题被引用最多的西人著者之 一。她有关中国音乐的一系列文章,以及她的《中国音乐》一书,直到20世纪50年代依然 是欧美学界研究中国音乐者必读书目。但是,尽管自20世纪80年代起,国内外学者开始 对李夫人在华的事工进行研究, ... -
A living curricula: Conversations about learning and teaching
(Canadian Association for University Continuing Education, 2011-05)Unitec New Zealand’s ‘Living Curricula’ is both an Academic Strategy and an aspiration for a unique institutional culture. The Department of Performing and Screen Arts has developed course curriculum that crosses discipline ... -
Louis Laloy and His La Musique Chinoise
(Zhongyang Yinyue Xueyuan,Central Conservatory of Music, 2013)French musicologist Louis Laloy, author of the first biography of Debussy and his study of Chinese music. -
A manifesto for practice that makes us possible
(Chart-Well, 2022-09)This is an (im)possible manifesto for a practice that assembles us. It brings the many parts of us together. -
Máscaras teatrais e a cultura Māori: Experimentos sincréticos no Pacífico Sul [=Theatrical masks and Māori culture: Syncretic experiments in the South Pacific]
(2022-08-31)Esta apresentação é uma breve reflexão sobre alguns experimentos sincréticos entre máscaras teatrais e a cultura Indígena da Aotearoa Nova Zelândia A Máscara e mascaramento aparece na cultura Indígena da Aotearoa Nova ... -
Missionaries and Chinese Gongche Notation
(Sichuan Yinyue Xueyuan,Sichuan Conservatory of Music, 2013)Gongche is the traditional and ancient form of musical notation in China. -
Missionaries and the beginnings of Western music in China : the Catholic prelude, 1294-1799
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2018)"Next to the Word of God, only music deserves being extolled as the mistress and governess of the feelings of the human heart" — Martin Luther (1538) The history of modern China is closely intertwined with the global ... -
Mixing methods : creative collaboration in mobile moviemaking
(2017)This article is a reflection on creative collaboration and synergy, using a tertiary course in mobile moviemaking to explore ways in which collaborative projects involving people from different creative ... -
More than a bridge builder
(Steele Roberts Aotearoa, 2015)For around thirty years, from the early 1980s to the present day, Jack Body has been the single most powerful force in the introduction of China's multi-faceted musical culture to New Zealand. As far as I can now ... -
Orchestrating film : the contrasting orchestral-compositional approaches of Bernard Herrmann and John Williams and their modern legacy
(Unitec ePress, 2017-12-21)Music is one of the most powerful forces in film, and composers’ varied use of orchestration and sound is fundamental to the impact of music in this medium. From the live accompaniments of the earliest silent film, to the ... -
Pedro Ilgenfritz entrevista Michael Craven [= Pedro Ilgenfritz interviews Michael Craven]
(2023-08-12)[Transcript of interview in Portuguese] -
Post-colonial New Zealand cinema : Gothic aesthetics and the repression of Pākehā violence in New Zealand in Fantail
(Unitec ePress, 2017-12-21)Fantail (2013), written by Sophie Henderson and directed by Curtis Vowell, has not yet received scholarly attention for its relationship to several dominant trends in New Zealand cinema. This essay examines Fantail’s ... -
Post-modern Westerns and the endangered woman
(Unitec ePress, 2017-12-21)This research essay explores the increasing scarcity of female roles in post-modern western films due to changes that have occurred over several decades since the origination of the genre. A string of highly-acclaimed ... -
Post-Web 2.0 Pedagogy: From Student-Generated Content to International Co-Production Enabled by Mobile Social Media
(IGI Global, 2013-10)The advent of web 2.0 has enabled new forms of collaboration centred upon user-generated content, however, mobile social media is enabling a new wave of social collaboration. Mobile devices have disrupted and reinvented ... -
Protestant Missionaries and Chinese Music: The Case of George T. Lay (1800-1845)
(Chinese Music Society of North America, 2013)George Tradescant Lay was a British naturalist, mssionary and diplomat. -
PŪRĀTOKE : Journal of Undergraduate Research in the Creative Arts and Industries. Pilot issue.
(Unitec ePress, 2017-12-21)Pūrātoke is an online, peer-reviewed journal, dedicated to the publication of high-quality undergraduate student research within the creative arts and industries. This pilot issue features the work of eleven emerging ... -
Qi erpin yanjiu zai haiwai (Alexander Tcherepnin and his world - a bibliographical perspective,齐尔品研究在海外——兼及国内有关研究)
(Art of Music - Journal of the Shanghai Conservatory of Music, 2019-01)民国期间游弋东亚的外国音乐家中,声名显赫的不少,但恐怕没有任何一个人会像1934年4月首次踏足华土的俄国流亡作曲家、钢琴演奏家、音乐教育家、音乐评论家亚历山大·齐尔品(Alexander Nikolaevich Tcherepnin, 1899~1977)那样,在中日近代音乐教育和创作史上青史留名。有当代音乐家甚至用“有恩于我们民族”这样感情横溢的标题来感谢齐尔品对中国音乐的贡献。①作曲家周文中更是将齐尔品当成“自家人”,说其“是一个中 ... -
‘SHARP’ skills : the need for creativity for tomorrow’s learners
(2019-10)Now, perhaps more than ever, the world needs creativity and the complete set of attributes that traditionally lie in the creative sector. All sectors are being asked to find fast alternative solutions to both new and age-old ... -
Sowing the seeds of collaborative curiosity : fostering academic research skills in pre-bachelor creative arts students
(International Academy of Technology, Education and Development (IATED), 2020-03)Conducting and presenting academic research is an acquired craft. Most students who enter higher education have no previous experience in the research domain, and many spend the first semester (or more) of their bachelor ...