Performing and Screen Arts
Collections in Performing and Screen Arts
Recent Submissions
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(Li Timotai furen yu Zhongguo yinyue) 李提摩太夫人与中国音乐 [= Mrs Timothy Richard's study of Chinese Music]
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2021)１８７６年来华、１９０３年在沪病逝的李提摩太夫人是中国现代音乐教育史和中西 音乐交流史上一位重要的人物，她的名字，对于任何一位从事中国音乐研究的人来说都不 会陌生。因为在２０世 纪 上 半 叶 以 前，她是有关中国音乐主题被引用最多的西人著者之 一。她有关中国音乐的一系列文章，以及她的《中国音乐》一书，直到２０世纪５０年代依然 是欧美学界研究中国音乐者必读书目。但是，尽管自２０世纪８０年代起，国内外学者开始 对李夫人在华的事工进行研究， ... -
Tsinghua xuexiao shoupi gengkuan liu Mei nuxueren zhong de yinyue ren (清华学校首批庚款留美女学人中的音乐人) [The Boxer Indemnity scholarship programme and the first generation of American-trained female Chinese musicians]
(Art of Music - Journal of the Shanghai Conservatory of Music, 2020-10-25)汤蔼林、王瑞娴、杨毓英、周淑安四位庚子赔款公费留美女音乐学人，都出生在最早对外开放的 广东和福建，出国前均在教会学校就读，赴美后在东部名校接受专业音乐训练，无论是理论造 诣还是音乐技艺远超留日的学堂乐歌作者。其中，王瑞娴、周淑安对中国钢琴、声乐和儿童音 乐教育方面作出了不可忽视的贡献 -
古伯察《鞑靼西藏旅行记》中有关藏族音乐的记述 [Tibetan music and dance as described by Évariste Régis Huc In his Souvenirs d’ un voyage à travers la Tartarie, le Tibet et la Chine]
(2021)法国遣使会士古伯察是中国“五口通商”后最早进入西藏地区的来 华西人之一。其流传极广的著述中对宁夏、甘肃、青海、西康地区宗教信仰、 历史文化、民风习俗、自然状况等的记述在海外影响甚广。以古伯察在19 世 纪中期首版的《鞑靼西藏旅行记》为聚焦点，检索古伯察对我国西藏和康藏 等地藏族仪式及世俗音乐活动的描述。这些描述虽然不以音乐为主，更谈不 上是民族音乐学意义上的有关藏民音乐活动的专门研究，但可弥补目前藏族 音乐研究目击者记录不足之缺憾。此外 ... -
润物细无声 ——欧乐思与中国音乐 [Alois Osterwalder (1933—2021) and his connection with Chinese musicians in Germany]
(China Academic Journal Electronic Publishing House, 2021-11-12)近日，从台湾师范大学民族音乐研究所黄均人 教授的脸书上得知，“德国波昂（波恩） 华欧学社创办人欧乐思（Alois Osterwalder, 1933— 2021）已于德国时间7月23日下午在睡梦中辞世”。 虽然此噩耗来得并非意外，但仍抑制不住心中的悲 痛，不禁回想起和欧先生几次短暂的交往来 -
"Floating Islanders: Pasifika theatre in Aotearoa"
(Peter Lang, 2020)As you read this, somewhere in Aotearoa New Zealand a Pasifika theatre maker will be crafting a performance that reflects the unique experiences borne of the artist who navigates new domain. In doing so, this act of creation ... -
Landscape, isolation, and belonging in performance: The art of directing in Aotearoa/New Zealand
(2021-06)Key features of the domain; landscape and identity SETTINGS • Isolation • Social mobility and access; ‘one degree of separation’ • Co-operative effort • Belonging • Detail/ big picture dichotomy • Genuine exploration ... -
Um retorno às origens
(2020)Diretor de teatro, dramaturgo, ator, pesquisador das áreas de história e teoria do teatro, da palhaçaria, do teatro de máscaras e do treinamento de atuação. Com experiência de mais de 20 anos em teatro, Pedro Ilgenfritz ... -
波恩东亚研究院所藏王光祈留德资料 及其研究价值 = Boen Dongya yanjiuyuan suo cang Wang Guangqi liu De ziliao jiqi yanjiu jiazhi (Archival Resources of Wang Guangqi at Ostasien-Institut, Bonn)
(2020-03)早在 1968 年， 德国华欧学社（Arbeitsgemeinschaft China-Europa）社长欧乐思（Alois Osterwalder）就已注意到 王光祈在中德文化交流上所做出的贡献，并委托其成员斯 特曼（Klaus Stermann）收集有关王氏在柏林、波恩时期的生 活、学习、工作及交友的相关资料。 近期这些资料由旅德汉满 学家、 波恩东亚研究院现任院长黄淑娟博士 （Shu-Jyuan Deiwiks）将斯特曼的卡片资料 ... -
郝路义在华事功纂要 - 圣乐本土化、汉诗之英译 Hao Luyi zai Hua shigong zuanyao (In the Shadow of Yang Yinliu: Louise Strong Hammond, translation of Classical Chinese poetry, and the indigenisation of Christian liturgical music)
(武汉音乐学院 (Wuhan Conservatory of Music), 2020-06-09)以往有关杨荫浏先生的“干妈”路易斯·斯特朗·哈门德（Louise Strong Hammond，中 文名郝路义）的研究大都依据杨荫浏先生晚年的回忆，但对郝氏本人在海内外发表的英文著述却 鲜有所用。因而对郝氏本人在华事迹缺乏整体的了解。本文以郝路义所存文稿、西文报刊文献 及档案资料为主要资料来源，以郝路义本人为焦点，考证其在圣乐本土化及汉诗英译上的事功。 -
郝路义若干史事考辨 Hao Luyi ruogan shishi kaobian (Louise Strong Hammond in China, 1913-1945)
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2020-03-27)以往相关有关杨荫浏先生“干妈”路易斯 · 斯特朗 · 哈门德(LouiseStrong Hammond,中文名郝路义)的论述大都依据杨荫浏先生著述中的片言只语及晚年零星的 回忆,但对郝氏本人的中英文著述以及西文档案文献中有关赫氏来华活动的当时记载却 鲜有所用。因而对郝氏本人的家庭背景、教育经历、在华事工及其来去中国的具体时间等 除了语焉不详外,还存在着一些史实上的谬误。本文以郝路义所存文稿、西文报刊文献及 海外所存档案为主要资料来源,以 ... -
‘Here is my space; the nobleness of life is to do thus’: democratizing performance and emboding presence at the Pop-up Globe Theatre in Auckland
(2020-06)This paper considers elemental, performative, and spatial opportunities available to actors, directors, and audience in the construction of performance on the open-air stage. This stems from reflection and evidence gained ... -
Sowing the seeds of collaborative curiosity : fostering academic research skills in pre-bachelor creative arts students
(International Academy of Technology, Education and Development (IATED), 2020-03)Conducting and presenting academic research is an acquired craft. Most students who enter higher education have no previous experience in the research domain, and many spend the first semester (or more) of their bachelor ... -
Because the internet : re-framing film school for the 21st century
(Mobile Innovation Network & Association (MINA, Australia) & University of Nottingham (Ningbo, China), 2020-01-18)This research argues for a fundamental re-imagining of screen education. Once upon a time, motion pictures were destined solely for the cinema. But developments over the past few decades have ushered us into an era of ... -
ALI EAST : an agent for change - a legacy of dance education in Aotearoa
(2019-11-16)I’m going to set a scene and tell a story that begins over 30 years ago. I tell this on the back of a celebration of 30 years of contemporary dance training in Auckland just this week. The Unitec students Showcase honoured ... -
How to start a creative (r)evolution. empowering women, growing artists, and reclaiming the real through live performance
(2019-11-18)Every two years, the multi-media show Tarnished Frocks & Divas employs ‘used’ objects, garments, and at the centre, women’s bodies to challenge assumed realities, and to bring to life the essence of different narrative ... -
‘SHARP’ skills : the need for creativity for tomorrow’s learners
(2019-10)Now, perhaps more than ever, the world needs creativity and the complete set of attributes that traditionally lie in the creative sector. All sectors are being asked to find fast alternative solutions to both new and age-old ... -
Qi erpin yanjiu zai haiwai (Alexander Tcherepnin and his world - a bibliographical perspective，齐尔品研究在海外——兼及国内有关研究)
(Art of Music - Journal of the Shanghai Conservatory of Music, 2019-01)民国期间游弋东亚的外国音乐家中,声名显赫的不少,但恐怕没有任何一个人会像1934年4月首次踏足华土的俄国流亡作曲家、钢琴演奏家、音乐教育家、音乐评论家亚历山大·齐尔品(Alexander Nikolaevich Tcherepnin, 1899～1977)那样,在中日近代音乐教育和创作史上青史留名。有当代音乐家甚至用“有恩于我们民族”这样感情横溢的标题来感谢齐尔品对中国音乐的贡献。①作曲家周文中更是将齐尔品当成“自家人”,说其“是一个中 ... -
Embracing Western music via Japan : Chinese intellectuals, Japan, and the beginnings of modern music education in China
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2018)The last decade of the Qing dynasty (1902-1912) saw the emergence of the first generation of Chinese champions of Western music.1 In Japan at the turn of the twentieth century a small number of Chinese students became ... -
Missionaries and the beginnings of Western music in China : the Catholic prelude, 1294-1799
(Music in China, Inc with Music Research Institute of the China Conservatory in Beijing, 2018)"Next to the Word of God, only music deserves being extolled as the mistress and governess of the feelings of the human heart" — Martin Luther (1538) The history of modern China is closely intertwined with the global ... -
古伯察《鞑靼西藏旅行记》中 有关蒙古音乐之描述 = Mongolian rituals and music in the eyes of Evariste Régis Huc
(2018)法国遣使会士古伯察是“五口通商”后最早进入我国蒙古、西 藏地区的西方人之一。 其著述《鞑靼西藏旅行记》中对当时清朝热河、蒙 古诸旗、鄂尔多斯、宁夏、甘肃、青海、西康地区的宗教信仰、历史文化、 民风习俗、自然状况等记述在海外影响甚广。 以古伯察 1850 年首版的 《鞑靼西藏旅行记》为聚焦点，检索古伯察对蒙古地区诸旗仪式及世俗 音乐活动的描述。 这些描述虽然不是民族音乐学意义上的有关蒙古音 乐活动的专门研究， 但却提供了一个从世界看近代蒙古及其音乐文化 ...
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