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    Digitising the complex form

    Egginton, Zane; Popov, Nikolay; Orams, Brett

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    Egginton - complex form.pdf (4.354Mb)
    Date
    2010
    Citation:
    Egginton, Z., Popov, N., Orams, B. (2010). Digitising the complex form. In C. Murphy, S.J. Wake, D. Turner, G. McConchie, & D. Rhodes (Eds.) On the edge: Cross-disciplinary and intra-disciplinary connections in architectural science. Proceedings of the 44th Annual Conference of the Australian and New Zealand Architectural Science Association, Auckland: the Association
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/1761
    Abstract
    The demands of Landscape Architects and Architects use of organic and complex forms at various scales heavily fuel this project. In a typical project a designer is often faced with three challenges, how to create a digital model, how to enhance their design and how to visualise the final product. However due to the limitations of typical CAD programs used in the industry as a stand alone solution for digital representation the designer may end up representing complex form by illustrating either by photographic means or hand rendering. While these two methods have their place as representational tools it limits the techniques available to the designer to manipulate and interrogate these forms as they would with a typical CAD model. The difficulty to produce digital models of complex forms limits the methods to visualise the design and often mutes the detail presented. In this paper we will look at digitising and manipulating the complex form in various ways.
    Keywords:
    organic forms, complex forms, visualisation, modelling, design
    ANZSRC Field of Research:
    120107 Landscape Architecture
    Copyright Holder:
    Authors

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    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use. These documents or images may be used for research or private study purposes. Whether they can be used for any other purpose depends upon the Copyright Notice above. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
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    • Landscape Architecture Conference Papers [42]

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